Date: 24 March 2011
Time: 6.30PM onwards
Where: Riverside Parramatta, Lennox Theatre
I know it’s been a few months since the premiere, but with school having caught up with me, I’ve not found the time to jot my thoughts down. Still, now that I’m back (sort of), I’ll attempt to recollect what had happened that night.
I had the privilege of attending the premiere of all the films that had been going hard in production since the STUFF workshops. For over eight-nine months, each of the writer/directors (including myself) had been hard at work, slaving on our edits, cleaning audio, creating work. The premiere previewed all of our work, and personally, I was both excited and nervous about it. It didn’t really help that I arrived late as well… A director should never arrive late! Shame on me.
Otherwise, when my family and I (yes, my family) seated ourselves, we all indulged in the films that were about to screen. Everyone’s film turned out excellently well. Throughout it all, many can’t tell the hard work and long hours that had been slaved to even make a short film come to life. But it has only made me cherish the time and effort I, as well as many others, had put into making these films, and for that, I don’t regret one bit of it. Watching my film for the first time was unnerving. It was especially made so because I invited my parents and my youngest sister. As soon as my film was announced, I kid you not, I hid myself in my jacket. I dreaded the screening for what type of reception it would bring. The scenes played. I did not look up to see what was going on. I’ve viewed the final cut to the point that I know every nuance and line that spoke in it. To me, I wanted to be away from this film, as far away as possible.
But then, something happened in the theatre. A crack of a giggle, then a snigger.
Everybody was laughing.
Everyone (or at least the majority of the crowd) was laughing in response to the dinner scene – the scene that took the longest to shoot. I even heard my parents laugh and saw a smile on my little sister’s face. I may never know what I’ve done, but whatever it is, I’ve done something right. It may not be the best thing I’ll ever make, but I felt like I’ve connected with people… at least on a humourous level.
Many thanks again goes to Amin Palangi and Billy Marshall Stoneking for teaching us, enlightening us, and for giving us the opportunity to open our creativity to different places. Thanks to ICE for holding these workshops, and hoping that they are one of the first to continue on in the future. Congratulations to all the participants of the workshop for their screenings of their films: Gary Paramanathan (The Lebanese Wallet), Saber Baluch (The Job Hunter), Sadia Saeed (apologies, I don’t quite remember the name of your film… for shame), Lidia Luna (Mother’s Day), Peter Yu (Ad Man), and Mike Kang (It’s About Survival).
Also, thank you to the cast and crew for making Fairytale possible. You have captured the hearts of many others, including my own.
Concrete Playground article: http://sydney.concreteplayground.com.au/event/16228/stuff-the-drama-of-it-all.htm